I’m an artist based in Victoria, BC. Since 2013. I’ve played well over a hundred shows nationally, explored a plethora of genre-territory including electronic (broadly), free jazz, noise rock, hip-hop, folk, and ambient across 50+ albums. I’ve made 4 movies, written a novel, and messed around in a broad variety of methods and mediums throughout my adult life. I’ve always been preoccupied with capital-G Genre. My work is thus ‘Genre art’; the same way one talks about ‘Genre film’. Virtuosity is something I admire but do not aspire to. This is simply DIY play.
In 2025, I released an album a month (plus one) across my many projects, finished my second feature film In the Land of Fish and Honey alongside John Ledingham, and put my debut novel HOG up for pre-order.
Primarily, I release music under my own name. My 6th solo studio album, a dub-techno inspired release, Chain of Memories was the 37th most played album across Canadian community radio for the month in March 2022. Since then, I’ve sped things up and released countless experimental records. I occasionally DJ as a way of sharing my electronic dance-floor-appropriate work.
I sometimes perform live doing free-form spoken-word screamo with Math Rock virtuoso drummer supreme i.o aka Maxwell Patterson as his part-time lead singer. We opened for The Body together. We released our first album with me on vocals called The Beatniks Didn’t Save the Worldin 2026 with a follow-up or two on the way.
Additionally, Maxwell and I have a band called Really Loud Free Jazz wherein I play tenor sax, with a self-titled album produced by Jeremy Ugro released in September of 2024. We are now been joined by Liliana Wilson of Coup D’Etat on the bass, and will have a record done as a trio soon enough.
I retired my first musical project, a hip-hop alias called Philip Morris, in 2022; I did 6 solo albums and one collab under this name. However, inspired by doing a silly BBL Drizzy freestyle for my pals, I revived PM and released my seventh album ILL PROBABLY STILL RAP WHEN IM FORTYin September 2024 followed by a collab record with Huddy called Ian in the Winter; now I make about one rap album a year. In the interim, I started spirtual successor of sorts, a more singer-songwriting-oriented project called Perfect Match (also acroynmed PM) which is now a full-on band with Chris Stander, Yani Sahnoun, Tamsen McKerley, and Noah Leverton. Our debut single “The Chase” is out now. I do singer-songwriter solo stuff under the name Big Bird.
I used to front an improvisational noise-rock band called SCHOOLGIRL with Keenan Mittag-Degala (of Elan Noon & Loving fame) and Liam Crocker. We opened for Deafheaven, Daughters, and Freak Heat Waves, and collaborated with N0V3L, Arrington De Dionyso, Sister Blanche, and Katsura Yamauchi.
I used to have a prolific experimental lofi project called Formidable Liquorice, which I estimate involved collaborations with over 50 people, which since evolved into my more-focused-but-still-playful eponymous work. Lastly, I have at least two secret bandcamps. I’m a sound-guy, too.
I host a weekly radio show called Problem Child on CFUV 101.9 playing off-beat music. I occasionally conduct interviews for the radio including the likes of JG Thrilwell, Sudan Archives, Bif Naked, Freak Heat Waves, Jordan Castro, and dozens of others. You can find archives of these conversations on YouTube under the name Talk Talk w/JP. For all intents and purposes, the interviews were a Covid project, and after being ghosted by Spoon’s manager the day-of, I moved on from interviews, though I’ve begun doing them again for the Destroyed Cinema + Music magazine and for our YouTube channel. I have a secret podcast.
I have explored mediums outside of sound. For example, I’ve hosted satirical anime panels, performed stand-up comedy, wrote a one-act play put on by an amateur theatre troupe once in Nanaimo called Yes Chef, directed & edited a cinema-verite film called No Bummer Summerwith Sean Rea & Vinnie Crawford, I’ve acted in a number short films by Sean Rea, and continue on a durational project wherein myself and Reed LeBere review all 200 episodes of Sailor Moon. I made another vérité-esque film with John Ledingham called The Promised End that was four-walled in December 2024 before releasing on YouTube shortly thereafter. John and I have screened our second film, titled In the Land of Fish & Honey, which is entirely fictional, in Victoria, Vancouver, and Melbourne. Sean Rea and I have finished a spirtual successor to No Bummer Summer called He Drinks a Lager Drink which will be released through Vinnie’s Eternal Camp banner on June 21st 2026.
I have spotlighted the best of my non-musical work under the Projects & Filmssection of the site. I’ve done a bit of acting in John Ledingham and Sean Rea’s non-JP written work as well. I had a brief go at painting which I archived on this Instagram. I have some durational drawing pieces I’m working on quietly that’ll post there when I’m ready.
Nick Workman and I founded Destroyed Cinema + Music in December 2024, which aims to bolster Victoria’s thriving DIY scene to include movies by putting on multi-medium and events and screening niche movies in underground locations alongside theatrical distribution across the province. We put on 23 events in 2025, and we’ve begun programming and putting on events with the Victoria Film Festival. Visit our website for more on that; it’s becoming close to a full-time job.
I do an awful lots of writing these days on my WordPress, more is less is more is lessand in our Destroyed Cinema + Music zines we put together every couple months. On my Letterboxd too. I’ve gotten a lot more active publishing stuff in 2025. I’ve written a number of album reviews for the UVic student newspaper, The Martletand some stuff for Odd Critic. I self-published my debut novel HOGand a collection of short writing Screamo Opera in early 2026 on Amazon.
Is variety the spice of life or have I spread myself to thin?